WORKING WITH CHILD PROTECTION AND OTHER HEALTH AND SOCIAL ISSUES

 

NEWS!  THE LOST CHILD film is now available to stream through VHX. Just click here: https://turnaroundfilms.vhx.tv/products/the-lost-child

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This is what our latest client says about the film:

‘I have been using the Lost Child as a film for students in my postgraduate social work subject on working with children and families (around 70 students). I explain that it is an excellent film that centres the voice and effects of complex family issues on children. There are some students that can’t attend class and streaming it would enable us to use it online.’  Dr Carole Zufferey, Senior Lecturer, School of Psychology, Social Work and Socal Policy, Magill Campus, Magill, Australia.

Turning Point Theatre Company and Buzzword Interactive Films created training programmes for a variety of voluntary and statutory agencies, from the nineties through to 2013. The subjects covered included the work done by informal carers; that is, people who look after a friend or relative at home, health matters, such as ageing, osteoarthritis, mental health, in particular Schizophrenia and child protection, looking at children who grow up in a family where there is parental mental illness.

carers1All the work the two companies carried out, appear as relevant today as they were then, particularly the project commissioned by Lancashire Social Services: THE LOST CHILD. The film was the outcome of a series of day-long workshops for professionals, working in the field of child protection, using forum theatre to explore the issues and a performance of an interactive forum theatre play.

The success of the project meant that the company was commissioned to make the film to give the project a shelf-life and it is still being used today, both here in the UK at a universities in Australia. The film was designed with a menu, so that trainers could stop the action at certain point, to enable audiences to discuss the problems depicted in the drama. THE LOST CHILD went on to win a raft of awards, including The National Training Awards.

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The Lost Child

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KEEPING MILLY HAPPY is a short film that looks at how elderly patients can so easily deteriorate if they do not receive appropriate care for osteoarthritis. This film was commissioned by Devon County Council and is still in use in various hospitals and care centres around the UK.

Another successful film produced by Buzzword was NICE PEOPLE. This was commissioned as a training resource for the Devon and Cornwall police, and to raise awareness in the county on rural racism. email_np_adThe film was used as the basis of a series of training workshops run by Lyn Ferrand and her company, designed specifically for police officers. The film was part of this training programme.

Lyn Ferrand, the writer and director of all these innovative projects has now retired. Thank you to all the talented and wonderful actors, cinematographers, crew and everyone else involved in the making of these films and the original projects.

More photos:

 

 

Lyn is now a carer for her partner and writes novels. These can be accessed online at:

www.feedaread.com

Amazon.co.uk

Waterstones.com

RURAL CUT: This book explores how financial greed and the repercussions of indiscriminate development can ruin lives and change rural places for ever.
JONTY”S WIN: Can money alone mend the loneliness, austerity, damaged relationships and homelessness that the protagonist Jonty Greer unwittingly uncovers? Will Jonty’s money make him a better person? Or will he and the people it attracts, remain the same?
Jonty’s Win is a sequel to Lyn Ferrand’s first novel Pretending.
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JONTY'S WIN 

 

 

17190949_1265474693500898_8349464218403510824_nPRETENDING

The story of six actors and a director convinced that theatre will change the world. Events change everyone, though strangely, pretending prevails…

THE MAN WHO THOUGHT HE WAS HAPPY

Jake Adams discovers that family scripts run parallel, each new generation caught up in an involuntary mimicking of past lives and times and in his obsessive compulsion to find Emma, he is forced to see that what really matters is how, in the moment, we connect.

 

 

 

 

 

 

 

 

THE STORY OF THE LOST CHILD

A few years ago, when I was the creative director of Buzzword Films and Turning Point Theatre Company, we were approached by Lancashire Social Services to create a training programme for agencies working in the field of child protection.

tlc_front_page2After many productive visits to Lancashire to discuss the project, I came up with a programme to include a new play as the focus of a training day. The company would use Forum Theatre, discussion and workshop techniques to bond the people working in the different agencies. Although there was cooperation between them, there was little collaboration, so the aim of the training programme was to touch hearts, as well as minds to draw people together and encourage collaborative thinking when addressing the many and various difficult situations these professionals had to deal with on a daily basis. It was hoped that through better collaboration, there would be fewer child deaths in the area.

The Turning Point actors rehearsed my new play for three weeks, before taking it to a venue in Lancashire as part of a three-day training programme for approximately 30 people a day, from many different agencies that included Social Services, Police, Health and Social Care, Education and Child Protection.

The company presented a tight format, starting with trust exercises and theatre games, giving the group a chance to relax and have fun; always a good way to get people to connect. After a coffee break, the actors presented a performance of The Lost Child. My play was based on research material given to me by the commissioning agency. The story focused on the views of a child watching her parents cope with their mental illness and its aftermath.

Following the performance, the group broke for lunch and a chance to informally discuss what they had gleaned from the play.

sc0008872d2The afternoon session started with Forum Theatre, a method of enabling an audience to ‘rehearse for reality’ by watching scenes from the play again and looking at how the situations the protagonist found herself in, might be changed. The audience, who all had some professional connection to the subject matter of the play, were invited to change places with the protagonist at any moment during the replay of the scene, by shouting STOP, take her place and show how they would manage the situation depicted. Following each intervention, we discussed the new solution offered and whether or not it had worked, was truthful and possible. 

The training programme was a huge success and when it was over, I was commissioned to give the play a shelf-life by making it into a film. I wrote a screenplay and working with the same actors and a very talented cinematographer/editor,  we made a 28 minute drama DVD film that could be stopped at any point, using a special menu, so that trainers could discuss with their students specific issues, as they came up in the scenes.

The Lost Child won a whole raft of awards, including The National Training Award. It was described as: An example of exceptionally effective learning.

It was:

  • Highly Commended at The Community Care Awards
  • Highly Commended at the Cumbria and Lancashire SHA Achievement Awards
  • Winner of The National Training Awards North West
  • Winner of The Skills for Care Training Accolade and was awarded 4 stars in Community Care Magazine.

The Lost Child is currently being used nationally and internationally (University of Southern Australia) and has proved to be a very useful and innovative training resource. Here is what just one of our clients said about the film:

“North Essex Partnership Foundation Trust is using the DVD – “The Lost Child” as a component of its mandatory two-day Safeguarding Children Training which is provided to all clinicians and practitioners working within NEPFT. The DVD is used as an interactive exercise within which professionals explore the impact of parental mental illness on the child and the knowledge of professionals working in different domains and agencies.
The response to the DVD – (which has been used as part of the mandatory training programme for over three years with more than 750 professionals) – has always been excellent. It enables professionals to consider the impact of mental illness on relationships, the position of the child and frequent absence of the child’s voice in adult mental health services. Following use of the DVD as an interactive exercise, professionals link the lessons learned into policy and procedure – for example the use of genograms in all assessments. The DVD is thus an essential component in translating theory regarding the impact of parental mental illness on children and families into practice.” 
Consultant, Safeguarding Children & Adults
North Essex Partnership Foundation Trust

FURTHER BACKGROUND INFORMATION –

An interactive forum theatre play and a DVD film drama were commissioned from Lyn Ferrand, Turning Point Theatre and Buzzword Films to give children of mentally ill parents in Lancashire a better level of protection.

The project was part of a training programme developed jointly by Lancashire County Council’s Social Services Directorate, Lancashire Child Protection Committee and Buzzword Interactive Films.

The programme was written and facilitated by award-winning writer and director Lyn Ferrand. The project won the National Training Award – Northwest and The Skills in Social Care Accolade for the most innovative multi-disciplinary training. It was also short-listed for the Community Care Awards.

“Due to the difficulty in persuading staff who normally refer vertically within their organisations to start working laterally, we needed a different training solution, with a large emphasis on hearts instead of minds.” Lyn Gornall Lancashire County Council Training Co-ordinator, Mental Health

I think the issues around mental health and the impact on family members, but particularly the daughter in this case were really well explored. The quality of the story line was brought to life by the excellent acting and production. It is a real quality product and will be a very effective training tool” Director, Social Services.

HOW THE DVD WORKED –

Why is this an example of exceptionally effective learning?

Joint working in adult mental health and childcare across agencies is a complex, challenging and demanding area of work. The ways in which agencies meet the needs of both the child and the parent where there is parental mental illness inevitably impacts on all those involved.

Through the eyes of a child, the film tells the story of a family where there is parental mental illness. It gives the audience a unique opportunity to explore for themselves how those experiences can be affected by the ways in which they are involved or choose to intervene and explores the possible consequences and alternatives for the family, the professionals and others.

The film has a user-friendly menu. Trainers can stop scenes and ask participants to discuss what is happening. The DVD is not prescriptive. It does not give answers. Rather it encourages creative thinking and debate, challenging staff both at an emotional and an intellectual level and offering a way to explore solutions and improved practice.

OUTCOMES IN LANCASHIRE.

The level of co-operation was unprecedented across the county. Prior to this training there had been 2 child deaths due to non co-operation and poor communication. Since the use of this training there have been none. Improved awareness of the need for good communication, co-operation and ‘joined up working’ to protocols is the central contributory factor. By being able to challenge the professionals on neutral ground I felt that I made a difference for the first time today. Service user. Preston Area.

The evidence provided showed that

  1. a) Children are safer
  2. b) Services are more joined up in their thinking about families. Incorporating the principles of this training will benefit hundreds of children within families throughout Lancashire.

It certainly emphasises that there are critical times in an interview when the professional needs to reflect on strategies being used… it goes without saying that all of the sequences are relevant to the issues related to mental health, alcohol, domestic violence and the frustration clients can encounter with agencies in particular their lack of understanding of mental health. Manager Education Support Team. 

If you are interested to know more, please contact Lyn Ferrand at lyn.ferrand@zen.co.uk